Posts Tagged: typographic installation

Hester/Typographic Installation/Sink or Swim

Sink or Swim

This piece consists of concrete letters cast from five inch by one inch thick silicone molds, which are then ground and hand sanded to distinct angles. The resulting forms were placed on the sidewalk so that the letterforms appear to be

Hester/Typographic Installation/Sink or Swim

Sink or Swim

This piece consists of concrete letters cast from five inch by one inch thick silicone molds, which are then ground and hand sanded to distinct angles. The resulting forms were placed on the sidewalk so that the letterforms appear to be

Hester/Experimental Typography/Typographic Installation/Get Back to What Matters

Get Back to What Matters

The semantic elements of the Get Back to What Matters, evoke a simpler time, when drawing and being creative was a source of delight. Placed in the high-stress environment of a design department in the midst of the last few

Hester/Experimental Typography/Typographic Installation/Get Back to What Matters

Get Back to What Matters

The semantic elements of the Get Back to What Matters, evoke a simpler time, when drawing and being creative was a source of delight. Placed in the high-stress environment of a design department in the midst of the last few

Hester/It's Fleeting/Lighten Up Typographic Installation

It’s Fleeting/Lighten Up Typographic Installation

It’s Fleeting/Lighten Up is a typographic installation designed to reveal a message as it interacts with sunlight. Laser-cut into a sheet of stainless steel bent at a ninety degree angle, the piece presents two phrases, “IT’S FLEETING,” and “LIGHTEN UP.”

Hester/It's Fleeting/Lighten Up Typographic Installation

It’s Fleeting/Lighten Up Typographic Installation

It’s Fleeting/Lighten Up is a typographic installation designed to reveal a message as it interacts with sunlight. Laser-cut into a sheet of stainless steel bent at a ninety degree angle, the piece presents two phrases, “IT’S FLEETING,” and “LIGHTEN UP.”

Hester/Experimental Typographic Installation/Explore

Explore/Typographic Installation

The overhead projector evokes memories of the classroom. Countless hours of our formative years are spent watching teachers systematically guide us through mathematical equations on overhead projectors. By removing the bottom panel of the projector and placing it on top

Hester/Experimental Typographic Installation/Explore

Explore/Typographic Installation

The overhead projector evokes memories of the classroom. Countless hours of our formative years are spent watching teachers systematically guide us through mathematical equations on overhead projectors. By removing the bottom panel of the projector and placing it on top

Hester/Experimental Interactive Typographic Installation/Make More + Worry Less

Make More/Worry Less/Interactive Typographic Installation

This companionable piece takes advantage of marker technology that allows one marker to creating invisible masking elements on a page, and another that cannot effect the masked off area. I installed what appeared to be a blank sheet of 16

Hester/Experimental Interactive Typographic Installation/Make More + Worry Less

Make More/Worry Less/Interactive Typographic Installation

This companionable piece takes advantage of marker technology that allows one marker to creating invisible masking elements on a page, and another that cannot effect the masked off area. I installed what appeared to be a blank sheet of 16

Hester/Typographic Installation/Dig Deep

Dig Deep

Dig Deep is an example of my work that evokes the qualities of a stranger, but a “strangely familiar,” and approachable one. Installed on the exterior wall of the Pollak Building, one of Virginia Commonwealth University’s design facilities, this 16

Hester/Typographic Installation/Dig Deep

Dig Deep

Dig Deep is an example of my work that evokes the qualities of a stranger, but a “strangely familiar,” and approachable one. Installed on the exterior wall of the Pollak Building, one of Virginia Commonwealth University’s design facilities, this 16

Hester/Experimental Typography/Typographic Installation/Project M Lab

The Lab Sign

Shortly after graduating in 2008, I attended Project M, a month-long annual program that brings creative volunteers and advisors from all over the world together to collaborate and design for the greater good. In June of 2008, the Project M

Hester/Experimental Typography/Typographic Installation/Project M Lab

The Lab Sign

Shortly after graduating in 2008, I attended Project M, a month-long annual program that brings creative volunteers and advisors from all over the world together to collaborate and design for the greater good. In June of 2008, the Project M